Fantasy, LGBT, New Adult Romance, Romance

My Review: Captive Prince (Captive Prince #1): by C.S. Pacat

Publish Date: April 7th, 2015
Number of Pages: 270
Publisher: Berkely
Genre(s): LGBT, Fantasy, Romance (M/M), New Adult

Total Star Rating: 3.75 Stars

Back around the time when I’d first found this book, I’d made it a point to search for more queer romance stories, specifically of the M/M variety, because why not celebrate my own queerness and read books with my people as the leads, am I right? Doing some research into finding titles, this trilogy showed up quite a lot, like, actually A LOT. Tumblr, Goodreads, lists all over the internet, and Bookstagram all had high praise for this trilogy, and with it being described as a M/M Fantasy romance, added with seeing some amazing fan art (like the one below), I was sold and knew I had to get my hands on them.

Fan artwork of Laurent & Damen, image courtesy of @gabriella.bujdoso on Instagram

Upon reading it, I found out that it’s actually very little fantasy; there’s no wizards, dragons, elves, white walkers or anything magical. It’s considered Fantasy based on the fact that the story takes place in a fictional land, so I almost considered it to just be a period piece, or even just historical fiction to a small degree. It’s set in medieval times, with opposing countries on the brink of war with corrupt and powerful courts filled with deadly secrets and intrigue.

It’s funny to look at other reviews of this title and see that it’s either “OMG I LOVE THIS, IT’S AMAZEBALLS AND ITS SO EFFING GREAT,” or “WHY DO PEOPLE LIKE THIS CRAP? SLAVERY AND TORTURE ISN’T SEXY, THIS IS DISGUSTING & I HATE IT!” …Honestly I was more towards the middle. Yeah, there is some problematic subject matter within the story that may trigger certain readers: there’s torture, slavery, kidnapping, sexual assault & rape, voyeurism, and even some pedophilia (yeah, even I can admit that’s a lot). I personally was not so taken aback by it all, but I understand that other readers would for sure be turned off to any of those triggers to keep them from going near this book, it all makes it incredibly controversial, which is what also made me more interested.

What It’s About:

Damen, a warrior prince and next in line to ascend the throne of Akielos, is taken prisoner when his half-brother seizes the throne with brutal power after their father passes away, and strips him of his identity and has him shipped off to enemy territory in order to hide him away and greedily keep his newfound place of power.

Map of the world of the Captive Prince Trilogy, image courtesy of fuckyeahfictionalmaps Tumblr profile

Damen, now turned slave, is brought to the northern realm of Vere, and becomes a pleasure slave for its Crown Prince, Laurent. Laurent is everything thats vile about the Veretian Court; he’s manipulative, vindictive, pampered, spoiled, sadistic, cruel, but Damen also couldn’t deny that he was absolutely gorgeous.

Trying to survive and find any way to escape back home, Damen soon gets wrapped up in the dark, twisted web of the Veretian Court, and soon discovers that more is going on behind closed doors than he’d ever anticipated. It will require him to find allies in unexpected places, and work together with Laurent in a dangerous chase towards the throne, but keep his true identity a secret when he discovers that Laurent has a reason to despise him more than anyone else…

What I Liked:

  1. It was Character-Driven! There isn’t a whole lot of world-building, but this story mainly focuses on the two main characters, Laurent and Damen, and their developing relationship along with others including guards, royals, slaves and courtiers. It’s funny though: Laurent is absolutely despicable in this book, like, he’s actually portrayed as an elitist human douchestick. Even thought it’s obvious that him and Damen will end up together, you really question it at times like: “What does he see in him? How will they ever actually get together?” He’s an interesting character though; he does some heinous things, but then it turns out later that he was actually helping someone or doing it for the good of the cause, and you slowly turn around on your initial opinion of him. The author does an amazingly job of his development; it’s so fragile and delicate, but again, so well done.
  2. Haters-to-Lovers Trope! Based on how the two interact, you can easily decipher that any sort of romance between them is going to be a slow burn. Damen and Laurent absolutely despise each other right off the bat, but must become reluctant allies when secrets are revealed and they learn they need to work together. There’s sexual chemistry that develops, but it moves at a slower, but realistic pace both sexually and otherwise.
  3. Queer-centric! The vast majority of the cast of characters are male, and everyone is some sort of version of being queer, or at least not straight. It’s funny, but it’s like being straight is the taboo, sinful, forbidden way for people to be, unless it’s simply to create an heir. I found it completely refreshing how it’s never questioned by anyone, it’s a normal way of life which made me sigh at how much I wish we could live in a world like that, where people don’t get so bent out of shape for who they’re attracted to.
  4. Complexity of the Characters! The character work done in this story is incredible. There’s plenty of subplots throughout, and you really start to wonder about the characters and how they operate; why are they like this, what are their true intentions, and what isn’t the author telling us? There’s definitely a feeling that things are not what they appear to be in both the characters and the plot, and that will keep you longing to find out more.
  5. Its Subject Matter is Controversial! This book is trigger warnings galore, and it’s something that quite a lot of people are not going to be able to read. It makes you uncomfortable, it’s unsettling and even kind of perverted in some scenes. Our society likes to shy away from these topics (rape, sex slaves, abuse of all kinds, torture, kidnapping, pedophilia), even censor it entirely like it doesn’t even exist. I say, just because a book has these topics in it doesn’t make it a bad book. Yes, the author has them all within her story, but she does present it in a delicate way and touches on them much care. She doesn’t glorify it or make it seem like its alright; it’s oppressive and heavy, and unfortunately for some that experience it, it’s all they know and it’s been normalized for them. They don’t know any better, and this terrible treatment is expected of them, at least in their minds. It’s sad, it’s depressing, but you know what? It’s not too far off from the world we live in today; things like this are happening, and censoring it and ignoring it won’t make it fully disappear. Exposing ourselves to it allows us to open our minds and make us more aware of the world; maybe not in a good way, but gives us a deeper understanding of it in some way, and that its not a safe place, and if we don’t like it, we should do something to help create change.

What I Didn’t Like:

  1. Politics…I’ve said it before, but I’m not a big fan of politics in works of fiction (It’s just a personal preference of mine), and this book has quite a bit of it. Sure, political intrigue helps further the plot of the story, but when things got to technical in terms of the way the courts are set up, along with rules and societal norms & regulations, I admit I was tempted to skip over it to get the story moving faster during those parts.
  2. Very Little World-Building…The world that the author places this story in is fictional, and there are some references to how it all came to be, but I wish the author went a little more in depth with it and how the world she created developed over history. It seems like there’s a ton of it, but it’s only ever hinted at and never fully explained. It’s funny though, Vere resembles renaissance Italy, where people are dressed in frivolous, campy costumes with intricate detail and shows little skin, but are much more open about their sexuality amongst themselves. Akielos is the complete opposite; they resemble Ancient Greece or Rome where everyone wears barely-there togas and even the architectural style is more open like the Pantheon, but they’re more conservative with their sexuality; it’s kind of ironic if you think about it.

Conclusion:

Overall, this was an incredibly eye-opening book that’s certainly controversial and something that a lot of sensitive readers will not enjoy, which is understandable. I can recognize my own privilege and know that none of the subject matter really upset me all that much (maybe just slightly made me uncomfortable at most), but understand that someone who may have suffered a similar kind of abuse will not appreciate it in this book.

The author has created an interesting world, even if not as much as you’d like is revealed, but the characters and the vague but obvious sense that more is to come really drives you forward. The characters have some unknown depths that you want to uncover more of, and in the climax, it becomes apparent that there’s some sort of plan in motion that thrillingly gives in an air of mystery.

I found myself still hoping for more in a lot of aspects of the story, including the developing relationship between the two characters, but I was definitely entertained enough to want to keep reading, and ***mild spoiler alert*** I can say that there’s so many good things to come in the next two books that will satisfy whoever is willing to stick with the story long enough!

Thanks for Reading!

— Nick Goodsell

sci-fi

My Review: Red Rising: by Pierce Brown

Publish Date: January 28th 2014
Number of Pages: 382 Pages
Publisher: Del Ray (Random House)
Genre(s): Sci-Fi/Fantasy

Total Star Rating: 3.75 Stars

This book is like the love child of The Hunger Games and Game of Thrones…but in space. Oh my god, I know…just let that beautiful image sink into your mind as you come up with dozens of crazy, brutal, and absolutely insane possibilities! Odds are, a good chunk of those ideas are actually in this story. Add a touch of the Ancient Greek epic, The Iliad by Homer, and you’ve got the overall vibe of Red Rising by Pierce Brown.

What It’s About:

Hundreds of years into the future, mankind has finally begun to colonize on other planets, and the ruling class of citizens has installed a caste system that is distinguished by colors into our society. The godlike, arrogant and mighty Golds are the overall rulers, and the system ends all the way at the very bottom with the Reds.

Darrow, a 16-year-old Red, is part of a special group of miners called “Helldivers,” who dig deep beneath the surface of Mars in order to procure Helium-3 to terraform the planet and make it habitable for humans. You meet Darrow during one of his excursions and learn that despite him being a Red, he’s overconfident and regards himself to a higher degree than those around him. The story takes a tragic turn when him and his wife, Eo, are arrested for trespassing in a forbidden forest-like area. After getting whipped publicly, Eo sings a haunting, but forbidden song about their unfair slavery, and is hanged for her actions, per order of Mars’s arch-governor, Nero Au Augustus. Devastated over his sudden loss, Darrow makes the terrible mistake of cutting her body down from the noose and burying her body, which in turn gets him hanged as well.

Darrow awakens to discover that he was drugged and secretly brought to a terrorist covert group of Reds called the “Sons of Ares,” who’s goal is to end the oppression of the lower class citizens (aka “lowcolors”). They reveal to Darrow that the Golds had fooled them all: that society had already fully terraformed centuries before, and they continued the ruse in order to use the Reds for their cheap labor and stay under their subjugation. Furious for the unfairness of it all, Darrow joins their cause, using Eo’s haunting song as part of their smear campaign. After many painful surgeries/treatments/cosmetics, Darrow is transformed from a lowly read to an impressive Gold, and everything is set in order to infiltrate the Gold society and destroy it from within.

Through many lessons of Gold etiquette, social behaviors and receiving fake documentation, Darrow then enrolls into the Gold’s Institute, and befriends the charismatic Cassius Au Bellona, and calls out the bitchy Antonia Au Severus on her elitism. Darrow has them all fooled, and is selected to be one of a select few to represent House Mars by the gruff proctor, Fitchner. This leads to him and the others being split into several teams that have a fortress and a scepter, also known as a standard, to defend (like some space-like advanced game of Capture the Flag) in a designated area within the Institute. Darrow meets some other characters, most notably a beautiful young woman named Mustang, a raging lunatic in Titus Au Ladros, and perhaps his biggest threat: the vicious, clever and unseen figure who goes by “The Jackal.”

The winning captain who enslaves all the other teams is deemed the winner, and receives a patron to sponsor them with power, wealth, and influence. Through this contest, battle lines are drawn, alliances are formed and lost, bitter betrayals cost others their lives, twists that surprise you at every corner, and absolutely no one is safe from the brutality of those that are willing to step on whoever they need to in order to gain power in this epic tale.

What I Liked:

  1. The Drama! The author does an amazing job of creating tension, adding in dozens of action packed scenes, badass & diverse characters both male and female, the plot twists and reveals, and a real sense of danger between the pages. There are some brutal deaths that are handed out, and even “The Jackal” can remind GoT fans of a combination of Joffrey Baratheon and Ramsay Bolton, two of the biggest villains the HBO show has ever seen. There’s even a small amount of romance, much to my delight! It’s not a major part of the plot, but feels natural and well developed between two strong characters who recognize the call to battle that’s more important towards their survival, but allow small moments of passion and tenderness.
  2. The Diversity of Characters! Because of the rich world building (more on that down the list), the author created a great opportunity to create a diverse cast of characters, and even does so without getting too into the terminology or risk racial issues of groups of people being misrepresented. People within the color ranks are different races of ethnicity, and it’s the same thing with sexual orientation, and the author doesn’t just straight up say if a character is black, or gay, etc. It’s implied, but never outright said, which gave me the impression that the author didn’t want these things to matter so much in the story. They do matter, but the issue of race or sexual orientation is never questioned in the world.
  3. The Infusion of Greek/Roman Mythology! With some research involved, there’s actually quite a lot of comparisons to the ancient tales. The names of the characters like Nero and Cassius, to the houses within the story, and the planets that represented Roman gods and goddesses, PLUS symbolism used in the story. Upon checking out a subreddit, people pointed out many similarities that I missed: Eo being Persephone, Ares (Greek God of War) with the terrorist group, even the pyramid caste system is similar to Plato’s ideal society! I suggest looking into it, it makes the story so much more satisfying to tho
  4. The Setting! The author has made a truly interesting world in this series; the most notable being the caste system that keeps society in “order.” The setting is also such an integral part of the story, and I am glad to see that it doesn’t just fall in the background; its needed as more and more is revealed in terms of the society, technology and the many characters that appear. The color caste system was a nice touch and felt original, which is impressive considering all the dystopian series like Divergent and The Hunger Games that made the idea so popular. Many other stories failed to make their system something credible, but Red Rising successfully accomplished it. Below is the Caste pyramid that shows the colors and their rank, along with their societal roles:
The Caste system of the colors, image courtesy of http://www.queergeektheory.com
  • Golds: rulers, royalty of the society
  • Silvers: financiers and Businessmen
  • Whites: clergy’s and Judges
  • Coppers: administrators, lawyers, and bureaucrats
  • Blues: bridge Crew & pilots
  • Yellows: doctors and researchers
  • Greens: programmers and technicians
  • Violets: artisans and creatives
  • Oranges: mechanics and engineers
  • Grays: regular soldiers and police force
  • Browns: servants, cooks and janitors
  • Obsidians: Elite soldiers and bodyguards
  • Pinks: sex slaves, prostitutes and social functionaries
  • Reds: manual laborers and miners

What I Didn’t Like:

  1. Too Wordy in Some Areas…The book is marketed as a dystopian/sci-fi thriller (some would even argue that it could be YA since Darrow is only 16 in this story), but it does get incredibly wordy throughout, much like a fantasy genre novel. the author uses a high level of technical terminology, loads and loads of characters with little descriptions and a considerably slow first half of the story that could cause readers to lose interest before the real games begin. It’s supposed to read like an ancient greek tragedy written by Homer himself, with the words that the author uses in his prose and the character dialogue, but it can seem overdramatic and cheesy at times.
  2. Darrow is Perfect…In fact, he’s too perfect. Sure, he’s made into a space-age Adonis as a Gold, but he gets a little too close to the “Mary Sue” character trope (or maybe “Marty Stu” in this case?). He accomplishes tasks with seemingly little issues along the way from his end; any problems he runs into is because of outside forces. Maybe his only mistakes is underestimating other characters: taking them for granted, and being upset with himself when it comes back to bite him in the ass, and learns that there’s more to others than his own assumptions. He views himself as somewhat superior to everyone around him, even when he was Red, and it’s ironic how he’d mention how annoying the arrogant Golds were. All of this, along with the idea that he’s supposed to be an average guy who is from the lowest social caste in the world and the fact that he’s only 16, is a bit hard to believe. It’s MarySue meets the Chosen One for cliché character tropes.
  3. The First Half is incredibly Boring…I’m not going to lie, it drags on for quite a bit. After the initial set up, the story flows at a much slower pace, with a ton of info dumped onto you as well. Darrow’s transformation is a little cringeworthy: bones are snapped and rebuilt to be longer, skin is peeled off, there’s lots of pain, screaming, and blood; and while it’s kind of awesome, but I personally wished that the author condensed more parts around this part of the story. Once Darrow and the other Gold’s get into the competition is when it gets much more interesting, but man-oh-man….it was a journey to get there.

Conclusion:

I’d say that fans of the Hunger Games will enjoy these books because they both deal with similar themes of warfare, oppressive governments, and politics in fun, creative ways. Pierce Brown has created a rich world, probably even more complex than Panem, and the promise of so much more to come as the series develops. It’s still far from perfect; there’s still plenty of work that the author needs to improve on: like developing Darrow into a much more fleshed out, relatable character that more people can support and get behind. To end this review, I can say that the book is definitely worth checking out!

Thanks For Reading!

— Nick Goodsell