YA Fantasy, YA romance

My Review: Ruin and Rising (Shadow and Bone #3): by Leigh Bardugo

Publish Date: June 17th, 2014

Number of Pages: 420 Pages

Publisher: Henry Holt

Genre(s): YA Fantasy, YA Romance

***Warning!!! This review contains spoilers for this title and the previous titles in this trilogy, so continue reading at your own risk! You’ve officially been warned!!!***

To see my review of book #1 – Shadow and Bone – Click HERE

To see my review of book #2 – Siege and Storm – Click HERE

To see my Fancast/Dreamcast for the trilogy – Click HERE

Total Star Rating: 2.75 Stars

Well…. I’ve completed this trilogy finally, and I’ve gotta admit how how down in the dumps I am feeling now. Not because it’s over, but more so that for me it was such a drag through such a large chunk of the story, and how bittersweet that whole ending was! For the first 60% approx, it was once again such a drag much like most of the second book, and it’s not that the ending was horrible and should’ve been changed, but it just leaves you with such a feeling of depression and hopelessness.

I’d read the second book, Siege and Storm, back in late March/early April of 2020 when the Coronavirus Pandemic was in full effect and I’d been put on furlough on work until further notice. The unknown of what was going to happen along with all the craziness that this year alone had filled me with relentless anxiety and a vast array of emotions. I’d noticed my ability to sit down and read a book had become a major challenge. I just couldn’t sit down and concentrate! I was partially wondering if maybe it was a mix of that versus what I was reading at the time—I even couldn’t care enough to read on in V.E. Schwab’s Vengeful—either way, I’d noticed I was in a reading rut. If books by Leigh Bardugo and V.E. Schwab couldn’t hold my attention, certainly there’s something way out of whack going on there…

After reading this third and final installment to her Shadow and Bone Trilogy, I can with much less doubt say it wasn’t me. I struggled to keep my interest all through Siege and Storm and now Ruin and Rising, and part of it was because I’d read her Six of Crows books first, which were much more action-packed, there was many more memorable characters, they had a more original plot, and the author had much more experience under her belt by the time she wrote them. For me, I’ve noticed that it’s not a good idea for me as a reader to go backwards with any author’s books; I have to start with the beginning or I can’t enjoy the earlier work. It’s usually just not as strong of material, and you especially notice that with this trilogy. Compared to her more recent titles, these books just felt so much more “safe” and were with clichés and tropes many YA Fantasy fans are very familiar with because I’m sure Publishers want to play it safe as well by selecting stories filled with criteria that has worked so well in the past. I get it, doesn’t mean I’m entirely happy about it.

I can, however, say that despite this trilogies lack of keeping my interest, Leigh Bardugo did showcase some incredible character work with her main cast of characters, which in this case was Alina Starkov, Mal Oretsev, Nikolai Lantsov, and of course The Darkling. One of the biggest draws of these books was the love pyramid that pertained to these four characters. Each male was presented as a potential love interest to our protagonist, and it’s been one of the biggest debate topics of the whole Grishaverse fandom: which guy should Alina have ended up with?

For Mal, he’s the childhood friend whom Alina has\d been hopelessly in love with for as long as they’ve been together since their days at the orphanage. They both grew up together, and he became more handsome and popular with other cadets of the first army while she more or less stayed the same and felt like she was being pushed further and further into the background, but that all changes when she discovers that she has remarkable abilities and is the first Grisha “Sun Summoner” anyone has seen in a very long time; she may possibly even be the first one ever in existence. Anyways, as the plot thickens and both Nikolai and The Darkling makes their presence and interest known, Mal begins to feel inferior and left behind, which is so ironic how the tables turned there. He begins to be short-tempered with Alina, pushes her away and just wishes everything could go back to “normal” or the way it was before she become a holy saint-like figure to the people of Ravka….

…Well honey, maybe we’d feel sorry for you if you’d actually noticed her before! I personallu didn’t mind Mal throughout, but it’s funny how he’s the character in all the Grishaverse that gets the most criticism and hate from the fandom. Poor Mal… at least he got better in this book, in my opinion that is.

Next there’s Nikolai Lantsov: privateer, Sturmhond, and even Crown Prince to the royal throne. Charming, Daring, and even slightly obnoxious in his abundance of self-confidence; Nikolai is literally like a “golden boy” who any woman would kill to be with, right? WRONG! Alina didn’t fall for his charm, even when he admitted to having actual feelings for her, but she just couldn’t see past the fact that with him came a marriage proposal that may or may not have been purely just as a power-play to secure his spot on the throne and the adoration of his people as well.

The Darkling is a bit more of wild card compared to the other two, plus there’s the nice twist that he’s the villain of the trilogy. I still couldn’t ever really tell if his potential romantic feelings for Alina were 100% genuine, but one thing for certain was that they would’ve made an incredible power couple. Two of the most powerful Grisha to ever exist side by side, either as enemies or lovers or both, and I was definitely behind all the fellow fans shipping them to get together. It added so much to his character to see the scenes between just him and Alina and when he slipped some vulnerability into his demeanor that only she ever saw, those tiny moments said so much! Plus, it was obvious he still loved his mother despite everything, but unfortunately whatever his actual feelings were had to also be twisted and tainted by his dark greed for power, plus his need to control and manipulate everyone including Alina so it all worked out on his terms.

The Darkling and Alina for sure had the most depth to their characters out of everyone in these books. The Darkling is one of those villains that you feel are incredibly justified in his journey for power and all that he’s willing to do in order to get there. I only wish he was showcased even more in the books; it felt like he was hardly there in Siege and Storm and maybe that’s what made it such a slow read for me… I think Leigh Bardugo would’ve had this series be even more successful if she showcased The Darkling more and went even further with the darkness surrounding him. Alina had spectacular growth as the protagonist throughout; she started off as this timid orphan but really came into her own and gained a powerful voice as time went on. She second-guessed herself a lot, she focused on the boys when she maybe shouldn’t have been, she made mistakes; all of which made her such a realistic character in my eyes! She definitely held her own amongst all the other powerful male characters. She faced the constant battle of whether she needed to harden her heart in order to defeat the darkling, but is that the right idea? It was a wonderful theme and inner conflict she faced of whether she needed to lower herself to his level in order to defeat him, but maybe will ultimately discover that’s not the case.

What It’s About:

The Official Blurb:

The capital has fallen.

The Darkling rules Ravka from his shadow throne.

Now the nation’s fate rests with a broken Sun Summoner, a disgraced tracker, and the shattered remnants of a once-great magical army.

Deep in an ancient network of tunnels and caverns, a weakened Alina must submit to the dubious protection of the Apparat and the zealots who worship her as a Saint. Yet her plans lie elsewhere, with the hunt for the elusive firebird and the hope that an outlaw prince still survives.

Alina will have to forge new alliances and put aside old rivalries as she and Mal race to find the last of Morozova’s amplifiers. But as she begins to unravel the Darkling’s secrets, she reveals a past that will forever alter her understanding of the bond they share and the power she wields. The firebird is the one thing that stands between Ravka and destruction—and claiming it could cost Alina the very future she’s fighting for.

What I Liked:

  1. The Darkling! I’ve been saying this ever since I started this trilogy, but the Darkling is easily my favorite character besides Nikolai Lantsov taking second place. It’s funny because he’s the villain of the whole dang story, but I’m starting to enjoy those kinds of characters more, especially if they’re incredibly complex and you can actually see where they’re coming from in terms of malicious intentions; those are the best crafted villains in my humble opinion. He started off as just another carbon copy of the “park prince,” broody, bad-boy character trope that is basically another Prince Cardan Greenbriar, Kylo Ren, Jericho Barrons, Rhysand, etc… but as the story developed, even in the first book, The Darkling began to stand apart from them all as more and more was slowly revealed about his background along with his evil plans to take over his world. I only wish we saw more of him or even got to hear from his perspective in these books. I was incredibly heartbroken with the conclusion for how things ended with him, even though it had to be done, but man oh man… my heart aches for him!
  2. Alina’s Development! Alina was a phenomenal protagonist who really grew as this story developed over the three books. I wasn’t really behind her at first because she was simply another cliché orphan-turned-“chosen one” character trope who was demure, shy, timid, and pathetically, secretly in love with her golden boy BFF. As she came into her abilities and has had to make some tough decisions, she’s really become a big contender of the game with her constant inner struggle of how far will she go in order to gain power. Should she become cold and detached like the Darkling, or is it really weakness to show compassion and love for those she cares about? That, along with dealing with quite a few misogynistic older men AND three possible love interests (one of which is her enemy), the girl really becomes a memorable character that anyone can route for! Unfortunately, similar to the Darkling, I was not a fan of how her storyline turned out…
  3. Nikolai’s Transformation! So, anyone who’s a fan of Leigh Bardugo may know by now that Nikolai was originally supposed to die in earlier drafts of these books, but she ended up loving his character so much that she changed her mind, which was a smart decision since he’s one of her best characters of all in all her books, not that I’m biased or anything… anyways, this book was rough on him, and it was certainly an interesting development for him that leaves him with many scars, both external and beneath the surface… funny thing I say that considering he gets his own spin-off duology with the first book titled “King of Scars.” It makes perfect sense considering how things are left with him in this trilogy: totally bittersweet, but at least this character’s storyline was left more open-ended than others in order for there to be further explored!
  4. A Lot More Twists & Gruesome Deaths! Shadow and Bone was littered with cliché YA Fantasy tropes, Siege & Storm was just boring for me, but Ruin & Rising was filled with more plot twists and absolutely disturbing scenes of torture and death that actually made me happy to read, because it’s THIS stuff is what makes Leigh Bardugo stand out from other authors! She’s got a dark and twisty mind—I’m obsessed with it—and you get to see more of it in this book than the others. The deaths are absolutely brutalistic and somewhat disturbing, and it was great to start to see what I know the author excels at when the previous two books felt too “safe” to what I’m used to from her. Remember; I’ve read the Six of Crows books, and even Ninth House before I started reading this trilogy.
  5. Mal Gets Better In This Book! I will continue until the day I am no longer on this planet to say that I am a part of the fandom that actually likes Mal. He gets so much hate from the Grishaverse fandom, even more so than any villain she’s crafted, and I get where it comes from, I do… But I also see the growth he goes through and find it incredibly endearing about him too. He had to kind of hit his own sort of rock bottom in order to rise back up, and I believe his rock bottom was him in the later scenes of Siege and Storm. He was stuck in the past and wanted things to go back to the way they were with how the dynamic worked with him and Alina in his favor, and he somewhat had a temper tantrum at how that wouldn’t happen, plus I will admit that the pedestal Alina put him on absolutely crumbled when compared to The Darkling and Nikolai Lantsov becoming potential love interests and major competition. He couldn’t handle it, but I still think he redeemed himself a little bit in this book with how he handled everything, and you further see how all major decisions he makes is because of his devotion to Alina. There’s no denying he cared about her, whether you believe he really had romantic feelings since the beginning and just didn’t do anything about it until now.

What I Didn’t Like:

  1. I Was So Bored…Similar to what was the entirety of Siege and Storm, the first half of this book was so incredibly hard to get through because I just had such low interest in most of what was happening. There were too many characters by this point that I just didn’t really care about, the storyline was just too methodically slow for me, and it was just a huge drag. Once more plot twists occured and there were some brutal deaths that made the book feel more like what I expect from the author, then it got a little better at least!
  2. I Wish The Darkling Showed Up More…I’m only really saying this because I may be biased, but I think these books would’ve been much more successful if The Darkling was a more central character, or at least showed up more than he a;ready did. Maybe that was part of the allure of him, but he’s such a marvelous, complex character and there was so much potential for these books to get darker and more sinister like I know Leigh Bardugo is able to do, but I get that these were her first published books so she wasn’t able to be as artistically free as she is now.
  3. The Surprise Twist with Mal…After its reveal and thinking back about certain scenes that are pointed out, this wasn’t something entirely out of left field that the author slipped in for pure shock value, but was so subtle in how the clues were placed throughout that only a select bunch of readers would’ve caught the foreshadowing. Plus, with the backstory of how Morozova brought his daughter back to life with his merzost power, he never ended up finding the firebird because his power was used up by then. Without giving too much else away, it certainly was explained well enough to make sense, I was still just….mehh about it either way. I found the backstory with Morozova the much more interesting aspect about it.
  4. That Bittersweet Ending…I can say that with how everything concluded certainly made sense, I guess… I don’t know, I was just kind of disappointed with most of it even though the harsh reality is that there’s really nothing that would’ve made a better ending for everyone. My heart breaks for The Darkling, and of course I wish things could’ve ended up differently, but as we’ve seen with him with all that he’s done and how he operates, he’d reached the point of no return/redemption. Alina and Mal also had a fitting ending for them, I guess… I’m not personally a fan, but I guess it works for them and what they wanted in the end. Nikolai probably had the best conclusion even though his was more open-ended, but it helps that I know he has his own set of books that take place later on past Six of Crows.

Conclusion:

Overall, it was an okay-on the verge of liking it for me with how this trilogy ended up. I didn’t enjoy these books as much as Six of Crows, but part of me knew that’d be the case because I know what kind of reader I am, and I’m just someone that will hardly ever enjoy an author’s earlier work when I’ve read something that was published later on in their career first. I just notice more smaller things, like their writing maybe isn’t as captivating and/or less experienced, plus it feels more “safe” when I know their later work has much more creative freedom and is much more complex. I just can’t go backwards with author’s work, you know?

Like I said, I knew this going in that I was potentially not going to enjoy this trilogy as much, but I was so disappointed in how it was so hard to read a set of books by Leigh Bardugo—who with the Six of Crows books alone had her become one of my favorite authors—and NOT love it. By SoC, she’s a much more established author and is allowed to go further with her storylines, her characters, and the overall mood of her content. Shadow and Bone was just filled with too many familiar tropes we’ve seen everywhere in YA Fantasy, while Six of Crows has a much more diverse cast, and went so much further in terms of the mental health and inner turmoil the characters all faced; it’s just so weird how a spin-off might be better than the original series!

I still recommend these books for anyone who loves YA Fantasy with a strong female lead. I know my review may seem like I’m less than thrilled about them than I’d hoped, but when compared to the many other titles that are out there within the genre, Leigh’s stories are much stronger and more memorable than, say… The Red Queen series by Victoria Aveyard. Not to knock that series, but in my opinion, Bardugo just creates a better/deeper/richer story. At least with the many clichés that fill up the first book, she does veer away in big ways as the story develops.

Now that I have this trilogy under my belt, I can now move forward with the other Grishaverse stories that I still haven’t touched, plus be more prepared for the eventual, much anticipated release of the upcoming Netflix show premiering in fall/winter of 2020! Alina’s storyline is going to be a central storyline, so I had to read the Shadow and Bone trilogy before for context. I may even reread the Six of Crows duology too and maybe catch a lot more references and details that went over my head the first time I read them, and there’s even King of Scars, the next installment of the Grishaverse, and the first book in the Nikolai duology! I love that Leigh is continuing more stories within this rich and detailed world she’s created for us, and I always look forward to seeing what she comes up with next!

Thanks for Reading!

— Nick Goodsell

Horror, Mystery/Thriller, YA Contemporary Fiction

My Review: Project 17: by Laurie Faria Stolarz

Publish Date: December 18th, 2007
Number of Pages: 248 Pages
Publisher: Hyperion
Genre(s): Young Adult, Paranormal, Mystery, Horror

Total Star Rating: 3.25 Stars

Who hasn’t had the urge to break into an old building that’s probably haunted? Imagine talking this over with your friends:

Let’s go film a movie, make some creepy scenes, put the hot girl right in the main shot to get views, and maybe ignore those footsteps we keep hearing, the shadows that keep moving, or maybe the bloody graffiti that spelled “GET OUT” back there…nothing can go wrong, right?

So I will be honest, I have not read this book in quite some time. In fact, the last time I ever opened the pages was probably 2009-2010, and even then it was purely for nostalgia, because this book holds a special place in my heart. As cheesy as it sounds, it was a key that opened up a time of my life that I look back on rather fondly. You’re really interested and want to hear the story???

I know you don’t, but screw it, here it goes:

It’s 8th grade, and me and my classmates get into groups for a big english project in making a short film. There’s groups of 5-6 students, and one of my partners, Shelby, introduced this book to our group when we were still figuring out what to do. None of us had ever read it, but it inspired us to make our own version of it, which was basically a cheap, god-awful Blair Witch Project knockoff with no plot other than random kids walking a dark hallway and things pop out and scare the crap out of them. I can say though, we got creative and ripped a doll’s head off, hung it by a string and shined a strobe light on with a creepy recording of a girl saying “Baby Debbie come to play, Baby Debbie come to DIE,” the last word going demonically low, which got quite a few laughs from the classmates that watched it.

The point of this story is what it did, which was surround me with a group of girls: Vy, Jenna, Melodi, Shelby and Rachel; it had us hang out a lot outside of school, and helped make some great memories that made me feel like I’d found a small group of actual friends for the first time in my life. Unfortunately, I lost contact with pretty much all of them thanks to high school and then moving away for college, but It was still one of the best parts of my life! Thanks girls! I doubt you’ll ever read this, but from the bottom of my heart and to quote Fall Out Boy, Thanks for the memories!

I apologize to everyone else; there was just a lot of backstory with this book as it’s got a lot of sentimental value to me, but now onto this actual book itself!

What It’s About:

This story is about Danvers State Hospital, an abandoned insane asylum atop Hathorne Hill just off the edge of Boston. It was rumored that the lobotomy was created there, and hundreds of unmarked graves littered the grounds of those that perished away within the cold, hard walls; their spirits haunting the dark and ominous halls. The building is about to be torn down, and all the memories and restless souls lost forever.

This story is about six teenagers who make one last appearance before the building is demolished, and they all have their own reasons for being there:

Derik is the popular guy with the less-than-stellar reputation when it comes to girls, and has been an underachiever because he knows he’s pretty much trapped into taking over the family diner unless he makes something of himself past graduation. He falls upon a film competition with prize money; it may be his last chance at a better life.

Liza is the smart, gorgeous, unattainable overachiever who has perfect grades, her transcripts for college all spick and spam, shiny and perfect except for one thing…she never really did any extracurriculars. Colleges look to see how students get involved; it’s not just about good grades and test scores anymore; maybe a student film being made is her chance to beef up her resumé?

Mimi is a rebel, an outsider, someone who doesn’t belong, and has people look at her funny because she wears all black and has lots of makeup and piercings on her face. She tries to hide it, but she has a personal reason for wanting to get into Danvers before it’s demolition, and despite the company, she volunteers to join Derik’s project.

Chet is the class clown, can’t take anything seriously, and usually makes just about everything into a sexual innuendo, but if he has to go back to that house where his father hits him almost every night, he might just hit his breaking point…whats another night out of that house and away from his drunken father’s fists?

Greta and Tony are the theater nerds who don’t know the boundaries of PDA…They are looking for any chance to get their made-up crowns onscreen in some way, and this project that Derik has started may or may not be their ticket to fame…

They all come from different social circles, but they all come together and break into the abandoned hospital on the eve of its demolition and film their adventures. Maybe they’ll get a few souvenirs to bring home, make a fun movie, but things quickly take on a darker, twisted and more ominous tone as strange occurrences keep happening: cold spots in the basement, film and audio equipment malfunctioning, doors locking on themselves, and the feeling that they may not be alone…

Soon, they find themselves trapped in a deadly scavenger hunt as they unravel some of the terrible secrets this hospital had kept locked and hidden until now, and a mystery that surrounds a specific inmate and the importance of the number 17 that keeps showing up all over the place. Together, they will work together to try and help one lost soul hopefully find their way, and have the night change them all forever…

What I Liked:

  1. The Research Done About Danvers! So fun fact, but Danvers was actually a real place! It was an insane asylum that was fully constructed in 1874, opened in 1878, then eventually closed down in 1992. It was actually demolished like they talk about in the story, and was also the setting in the horror flick, Session 9, which filmed on the actual ruins of the building. I never watched it, and I hear it’s much more gruesome than this novel, but remains of the very few visual pieces that showcases the actual site of the hospital. The author really seemed to have done her research on the building and its tragic history, including its well…questionable methods of therapy, and implemented it incredibly well into her story. She touches on the horrific past of malpractice of the patients that were admitted to places like Danvers and plenty of others back in the day.
  2. “The Breakfast Club” Trope! Some could argue that it’s played out, boring, and overdone, but I always appreciate books that have a cast of characters that normally don’t interact with each other, but are somehow forced together by some sort of force or plot point, whether it be in after-school detention, or you know…illegally breaking into an abandoned asylum to make a short student film. The cast of characters are nothing original (The popular jock, the theater nerds, the clown, the princess, etc.) but they make for reading the book to be enjoyable while touching on the issues of rumors and reputation while trying to survive high school in a more modern setting than a John Hughes’ 80’s teen classic.
  3. The Mystery Around Christine! So while they explore the hospital (collecting files, souvenirs, graffiti from over the years, gathering footage, and even discover a bathtub with bars enclosed over the top), they discover the diary of one of the patients from many years ago, a young girl named Christine. Through the diary, the dark secrets of Danvers comes to light and the teens find themselves on a hunt through the whole hospital of finding out what happened to her and if they can possibly put her spirit to rest.
  4. It’s A Quick Read! This book is lighter in volume, so it’s a good choice for more beginner level readers, or someone who just needs a quick, fast read that’s somewhat entertaining. For the speedier readers, you may even be able to finish this book in one setting! The ending is also quite satisfying and ties everything together quite well, especially for Mimi.
Danvers State Hospital, circa 1893, image credit to owner

What I Didn’t Like:

  1. It’s Not Creepy Enough…If you’re looking for something to really scare the crap out of you, make you afraid to walk into any dark room or make you need to leave the light on while you sleep, this book is not for you…It’s pretty basic and safe in terms of violence, gore or any other sort of horror aspects. There are some creepy moments, sure, but nothing that really seems too shocking for someone who’d consider themselves a veteran of the horror genre.
  2. Too Much Plot Convenience…While I can excuse the cliché characters, one thing that irked me was how easy and convenient it was for the characters to find patient’s files, equipment, props, etc. especially when it was integral to the plot. Like, it felt so choreographed that important documents just happened to be lying around on the floor, conveniently waiting to be discovered by them when they popped into the room, and it had classified information towards the malpractice of the doctors and nurses… The building’s been closed for quite some time by the time they get there, shouldn’t the place be leached out by then? Or the Documents have been shredded or something?

Conclusion:

While it’s pretty basic in terms of horror and creepiness, it’s still a quick and fun read for someone who’s looking for something along the lines of creepy, paranormal fiction. The characters are nothing new or original, but they make for a familiar and funny little escape for those that’d open the pages and give this book a try. It’s a good starting point for those that hate to read, but still need something to read for whatever reason, like an easy book report. It’s not deep and meaningful, it’s just fun, and there’s nothing wrong with that!

Thanks for Reading!

— Nick Goodsell

Editorial Articles

Fiction Tropes that I Love/Hate

The word “trope” is used to describe commonly recurring literary devices, motifs and clichés in creative. Clichés are usually viewed as a bad thing, but that’s not the case every single time, at least when it comes to tropes. Tropes, as overdone as they are, are usually what keeps the genre going forward in the world of literature and/or entertainment. They’re safe, they’re familiar, they’re comforting, and they’re usually what helps people connect stories to each other, like, when someone goes “If you love ______, then you’ll love _____.”

You’ve probably heard the phrase “The same…but different” before, which basically means that editors and agents of creative fields want something that seems different, but actually has a lot of qualities that have been used before. What I’ve deduced is that people want the same basic plot points to have as a comfort blanket, but they still want a new twist on it that makes it new, exciting, and original. Easier said than done, believe me…

Below here is a list that I generated thats composed of tropes that typically appear in the books/genres that I tend to read: Sci-Fi/Fantasy (both Adult and YA), Romance, a splash of Mystery and a dash of Horror. Some tropes I love and can’t get enough of…but then there are some I roll my eyes at, and hope that something else saves the story, so help me god…

Tropes that I Love:

  1. Fake Relationships. Whether it be to make someone jealous, to have a last minute date for a wedding, or to bring someone home to meet the parents, two people pretending to be in a relationship, then *gasp* unexpectedly falling for each other for real before their deal is up is a romance trope that I can always get behind! I find it amazing when they appear as a new couple in love to the masses, but get snappy once they’re alone, the sexual tension rises oh so amusingly until they reach the climax [of the story].
  2. Enemies-to-Lovers. Instead of Insta-love (which is mentioned down further), the two characters meet and absolutely HATE each other. Whether it be over opposing views, a misunderstanding, or maybe one of them is just a huge asshole; they don’t get along to any degree and readers always wonder “how will they ever get together?” How indeed…this romance trope usually leads to some comedic/touching moments where they have to team up and sort out their differences before they eventually, but inevitably, get to sexy time.
  3. Player falls for “Average Jane.” So, in the past it’s usually the popular guy who falls for the invisible girl, and she’s just entirely clueless to it all. How could he like her right? She’s so weird, so geeky, so not cool, and the guys would give him so much shit for it…Sometimes it’s a bet amongst the bros, or maybe its because she sees a side of him that he never opened up to before; the boy unexpectedly falls hard. Usually, he doesn’t see it until the girl gets a dramatic makeover (ladies, quick reminder that in 2019 you don’t need to change for your man), which is kind of ugh…but I can’t help but swoon when the guy gets that shocked, starry-eyed look in his eyes and he becomes a total sweetheart to her from then on, and maybe all douchey-ness is forgiven.
  4. Forced to share a room/bed. In a lot of romance books, there comes a moment when the two love interests check into a hotel room, or they’re with a group of friends and all crammed into a room, or some other similar reasoning. As it turns out, they are forced to be in an enclosed space together, there’s usually some sexual tension, and there’s only one bed…So, will they or won’t they? I don’t know, but OH it’s so much fun to find out! A similar set up is the ever timelessly popular “trapped in an elevator” together; nowhere to go, the two are forced to acknowledge the elephant in the room.
  5. The Alpha-Hole. The ever-popular “bad boy”: he’s broody, he’s gorgeous, he usually has dark (maybe ruffled) hair, stunning blue eyes, that smirk, plenty of sarcasm, a sketchy past, and loves to irritate the lead female to no end…but I love him, all variations of him. He’s usually one of my favorite characters because he usually has the smartass remarks, the one-liners and doesn’t care what anyone thinks. Dreamy, right?…I know, I’m going to be single forever if THAT is my type…
  6. Fights that lead to Sexy Time. Now, this could mean they have a huge blow up at each other and battle it out in a combat of words, or maybe they go fists flying, literally kicking ass in a Mr. & Mrs. Smith style, but then leads to them hooking up because tensions are high, as are other emotions, and passions consumes them…I just live for the intensity of these kinds of scenes, okay?
  7. Secret Relationships. Kind of like “Forbidden Love” in a way; there’s two people that decide to get together, but they can’t tell anyone else about it. Sometimes it’s the boss-employee set up, teacher-student, opposite social circles/cliques, friends with benefits, wrong for their image, etc. but one person isn’t ready for everyone to know or even admit their feelings to themselves, so they suggest getting in a secret relationship. This trope is fun, especially when the two have to get creative at sneaking around and make hilarious excuses when they’re almost caught together. It’s even better when their friends secretly find out anyways, as the couple always eventually either gets caught, or one of them blabs because they’re in love and want the world to know (i.e: The Friends episode where Rachel and Phoebe try to crack Chandler when he’s been secretly seeing Monica).
  8. Sassy Heroine. Yas Queen, slay…She may not be big and strong, but don’t think that she can’t tear her enemies down with her sharp tongue and those snarky clap-backs. Usually, they are strong though, because usually they’re assassins or warriors that have killed men twice their size and flipped their hair like a queen while doing it. Celaena Sardothien, I’m raising my brow to you, girl. Love her and pretty much every Sarah J. Maas character (3/4’s of her male characters are on my book-boyfriends list (coming soon on here FYI)).
  9. The Second Chance at Love/Reunited Lovers. There is a difference between the two, believe it or not. The second chance is where the couple breaks up, but then gets back together again. Reunited is when they’re torn apart by circumstance, like a job causing one to move away, or one goes off to war, etc. but meet again years later. Either way, it’s way tragic and I swoon at the big scene where they’re reunited all that time later and all is forgiven.
  10. The Quest. In Fantasy books, the reluctant hero, along with his small group of secondary characters, set out on a long and perilous quest with a specific goal in mind. I like this one because it still leaves a lot of potential for something new and exciting because its so broad and open-ended. Anything can happen in Fantasy!

Tropes that I Hate:

  1. The Chosen One…This one feels like its in literally EVERY YA fantasy novel out there, just slight variations of it. It’s where the main character discovers through some prophecy or mentor that they’re incredibly special, and they’re the “savior” with extraordinary power that could defeat evil and change the course of time. It’s not entirely a bad trope/cliché, and it really works for some stories, but for the many that have come out all these years later after Harry Potter and Lord of the Rings, it’s hard to be able to make it seem effective or original in terms of driving the overall story. I could still enjoy stories with this idea, but authors need to get more creative with how they use it in their stories moving forward.
  2. The Main Characters an Orphan…This is usually a package deal with #1, but the main character is usually an orphan who doesn’t have their parents in their lives anymore because they’re dead, missing, or just absent.
  3. Girl doesn’t see her beauty, despite instigating Love-Triangle(s)…She’s awkward, she’s clumsy, she’s mortal enemies with the mean girl (more on that bitch later), and is pretty much the Bella Swan or Lizzie McGuire of fiction in these modern times. She thinks she’s just average or even ugly, usually thanks to the mean girl putting her down with their own inner insecurities, but is actually incredibly attractive and has multiple guys chasing after her anyways. I no longer find it endearing or adorable, I’m just over it.
  4. Kinky, Emotionally Traumatized Millionaires…“Mr. Grey will see you now…” According almost every romance/erotic work of fiction, those readers LOVE the ultra rich, 20-something, gorgeous, brooding CEO of a company or some sort of position of power. Unfortunately, he usually had a pretty messed up/traumatizing childhood which made him get into some really kinky shit, BDSM usually. He also gets incredibly possessive with their love interest, gets upset if they wear too revealing of clothes and probably says these lines: “I want you so bad” “You’re mine” “I’m so hard for you” or something creepier or about their penis…Men, you have a lot to live up to…
  5. The Nerdy Best Friend who’s been in love with the Main Character for years but never said anything…So, the main character is falling for someone else, and things are going great, but their best friend begins to get moody and distant themselves. The main character confronts them about it, and then their best friend comes out and reveals that they’ve been in love with them for years…Usually it’s the smaller, skinny, sensitive guy friend with glasses, and it’s usually at the most inconvenient time. Umm this trope is also inconvenient for me to actually enjoy the story!
  6. Werewolves-vs-Vampires…I just want to give a huge shout-out to Twilight for that and every similar teen paranormal romance book that came out through the years of 2008-2014…thank god that this fad is pretty much over.
  7. Creepy Children in Horror…This one is just a big, fat NOPE. Usually they’ll giggle menacingly, or terribly sing some sing-along song that you loved as a child thats now ruined because of them. Like seriously, Ring Around the Rosie and even Happy Birthday…traumatizing.
  8. Insta-Love…I’ve seen and experienced insta-interest, but can someone really look at a complete stranger and all of a sudden everything but that person pops matters and the rest just fades into the background? It’s just been so overdone, and it’s not even realistic, so authors, lets develop those relationships and watch them grow before the word “love” is even mentioned, yeah?
  9. The Mean Girl…Like a token character, the Regina George wannabe in contemporary YA fiction is just there to be elitist, shallow, and just be the antagonist to the main character. Even worse, there’s literally no reason for them to be mean, they just are…so not fetch.
  10. Faithful Sidekicks…The minor characters that are literally only inserted to pretty much pimp out the main character are just so bleh…The story can move forward without them, they’re just there as cheerleaders, and are usually tokened off as a minority (either gay or as a person of color (POC)).
  11. The Belated Love Epiphany with a Chase Scene…You know the big romantic gesture where the person realizes they love someone, so they chase after them to catch them before they’re gone forever? Like running through the airport to catch the plane? Good luck with that in 2019…
  12. Token Diversity…It’s so offensive to any sort of minority who reads a character in a book that’s just been randomly added into a story just so it’s not all straight, white characters. They feel like an afterthought, and someone who just belongs in the background. It’s 2019, and representation matters so much now, especially in books, even more especially in YA fiction. The voices that feel like they’ve never been heard are the ones that are buying the books with lead characters like themselves so they don’t feel so alone and to feel like they matter, because they do.
  13. Revolution led by Teenager in a Dystopian World…I mean, who decides that a teenager should lead a violent revolution over a cruel and oppressive government anyways? This obviously refers to The Hunger Games by Suzanne Collins, who did a tremendous job with that trilogy, but I’m talking about the other titles that came afterwards. For a short time, Dystopian YA was the popular theme that took over for Vampires and Werewolves, but none were really all that impressive or as close to successful with it in my opinion. Its literally just Miss Katniss Everdeen and Tris Prior from Divergent that made it look good, but even the latter had a questioning ending, so I rest my case.
  14. Bumping into Each Other Meet-Cute…Girl is walking the halls, carrying an obviously heavy pile of books, eyes wide as saucers and she’s looking around, overwhelmed at the first day of class in a new school. Girl bumps into someone and all the books topple to the ground, the girl is embarrassed and bends over, the other person helps too, and she looks up to see a gorgeous guy assisting her with his charming smile…I’ll stop because you obviously need time to reminisce all the times you’ve seen this happen before, I get it.
  15. The Black and White Morality Theme…Let me say first that this has NOTHING to do with race or ethnicity, so please put those triggers away, trolls…I’m talking about the obvious line of “Good” and “Evil” in fantasy genre books. There is no in-between; you’re either a beautiful elf that shoots arrows with their hair blowing in the wind, or and ugly AF Orc that looks like a spat out wad of gum from seven years ago. I’m going to go into one of my many Game of Thrones references, but one of the reasons it was so great was because George R.R. Martin wrote many complex characters who all thought of themselves as the hero of their own story. They all had their own sets of morality and integrity, and it either meshed or messed with the others, and they all had their own justified reasons for doing what they did, even when it was downright despicable…that, my readers, helps create an interesting story.

Thanks For Reading!

— Nick Goodsell